

In 2005 she won a Peabody Award for creating and directing the 2003 documentary film Beah: A Black Woman Speaks.

Hamilton was also an original cast member in the Broadway productions of August Wilson's The Piano Lesson and Gem of the Ocean. Her theater credits include Measure for Measure (Isabella), Henry IV Parts I & II (Lady Hotspur), Athol Fugard's, Valley Song and The Ohio State Murders. Hamilton's film credits include roles in 12 Monkeys (1995), Jackie Brown (1997), Beloved (1998), True Crime (1999), The Sum of All Fears (2002), The Soloist (2009), Beastly (2011), Beautiful Boy (2018), and Vice (2018).
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She also portrayed Melissa Thoreau on the TNT comedy-drama Men of a Certain Age (2009-2011), Celia Jones on the Netflix series House of Cards (2016), Suzanne Simms on the Hulu series Chance (2016), and Kayla Price on the Hulu series The First (2018). She is best known for her role as secretary/lawyer Rebecca Washington on the ABC legal drama The Practice (1997–2003). After a stumble near a fan on the sidewalk, Fox brightly jokes: “Nice to meet you.LisaGay Hamilton is an American actress who has portrayed roles in films, television, and on stage. When Guggenheim follows him out of his Upper East Side apartment in Manhattan, the difficulty Fox has just walking is as apparent as his abiding will to remain a man of good cheer. Being widely beloved while suffering through debilitating pain is another layer to his Parkinson’s journey, one rarely so intimately observed. “Still” finally makes you realize that even Fox’s likability can be a burden. Fox is never so endearing as when he’s extolling the level-headedness of his wife: “I could be the King of England and she would be her. Pollan and their children are surely a big reason for that. The doctor, he recounts, laid out the odds: “You lose this game.“ But after a period of heavy drinking, Fox says the disorder, despite sending tremors through his body, made him more present, stiller.
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From there on, it was movie deals, women and Ferraris. The Alberta-born actor landed “Family Ties“ while penniless and negotiated from the payphone of a Pioneer Chicken. Fox’s rags-to-riches rise in Hollywood was meteoric and head-spinning. “Still” frames Fox’s story, maybe a little too neatly, as an arc from headlong movement to stillness. “At at certain point, it is what it is,“ he says.Īgain, it’s hard to shake the feeling that the Fox we see on screen is the real him. After the continual mussing with his still-handsome head of curls, Fox begs the primpers to stop.

The effects of Parkinson’s are visible but so is the jaunty, self-deprecating actor we’ve always known. Instead, the most memorable images in “Still” are those of a present-day Fox in frame, speaking straight into the camera. His first symptoms came during the filming of “Doc Hollywood.” And for years after Fox’s diagnosis, he masked his increasing tics on “Spin City” by fidgeting with props.īut dramatizing Fox’s life like this can also feel like a shallow gimmick. He met his wife, Tracy Pollan, on “Family Ties” she played a love interest. And more than that, a surprising amount of Fox’s life has really happened in front of cameras. Actors aren’t the parts they play but I think they always exude something innate about themselves.
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Along with bits of reenactment, Guggenheim uses clips of Fox’s film and TV series to illustrate his off-screen life.Īnd this is surprisingly effective, in part because Fox’s screen presence has always been so genuine. The documentary, debuting Friday on Apple TV+, does this through candid on-camera interviews with Fox along with narration read by the actor.Īnd while there’s footage here of home movies, much of Fox’s life story unspools on screen. In Guggenheim’s film, Fox recounts his life, career and arduous battle with Parkinson’s disease, with which he was diagnosed at age 29. “I’m a cockroach,” Fox says in Davis Guggenheim’s glossy, entertaining and often affecting documentary, “Still: A Michael J. His sheer geniality and universal appeal has remained indomitable, even in the face of a degenerative brain disorder. But there’s also a way that Fox remains forever boyish - a charming pipsqueak, a plucky kid with a touch less confidence than he lets on. Keaton in “Family Ties,” Fox was a fixture of so many childhoods. That’s surely partly because, as Marty McFly in “Back to the Future“ and Alex P.
